Vol. 4 No. S-13 (2022): Volume 4, Issue S-13, Year 2022
Articles

Latent Meat (Grammar) Techniques in Nedunalvaadai

Senthilnathan P
Department of Tamil, Thanthai Hans Roever College (Autonomous), Perambalur-621220, Tamil Nadu, India

Published 2022-10-06

Keywords

  • Nedunalvaadai,
  • Symbolism,
  • Metaphor,
  • Grammar,
  • Sangam literature

How to Cite

P, S. (2022). Latent Meat (Grammar) Techniques in Nedunalvaadai. International Research Journal of Tamil, 4(S-13), 19-24. https://doi.org/10.34256/irjt224s133

Plum Analytics

Abstract

Sangam literature is the literature that can bring before our eyes the life stories of the Sangam people. The poets of the Sangam period used love genre literary techniques such as similes and metaphors to convey the love feeling as a cover-up in their poems. An implicit strategy is to make another object visible along with the apparent object. People who were in love expressed love and affection indirectly rather than directly expressing it. As far as Agam (Love Genre) literature is concerned, the techniques used to express love in the ethics of the Agam people are highly specialized. Agam People statements abound in Sangam literature. Sangam poets have created a separate space for Agam songs by respecting the love and feelings of the people. The people of Ancient Tamil transformed from an immoral life to a life of chastity. The morals of the Agam people are still the norm in people's lives today. Although the environment has changed from time to time, people still remember the messages of culture and tradition. Love and affection can be supportive of love genre literature. This research greatly supports exploring it through literary techniques such as symbolism, metaphor, and meat (grammar).

Metrics

Metrics Loading ...

References

  1. Avvai Duraisamy Pillai, S., (2010) Purananooru Moolam Uraiyum, Poompuhar Pathippagam, Chennai, India.
  2. Ilampuranar, (1958) Tholkappiyam Porulathikaram- Ilampuranar Urai, First Edition, Saradha pathippagam, Chennai, Tamil Nadu, India.
  3. Nagarasan, V., (2004) Sangailakkiyam, New Century Book House, Chennai, India.
  4. Thirugnana Saambantham, S., (2020) Tholkappiyam, Kadhir Pathippagam, Thiruvaiyaru, India.
  5. Venkatasami Nattar, N.M., (2008) Agananooru, Ramaiya pathipagam, Chennai, India.