Jatis (Rhythmic Movements) in the Grammatical Relationship of Natya Tamil

Abstract

Tamil literature highlights the improved state of social relations. The relationship of letters to the Tamil language establishes the bridge. In musical Tamil, the seven veins depict four kinds of relationships: kinship, branch, enmity, and friendship. Similarly, in Natya amil, the work and compositions of the jatis prove the rich relations in the accounting methods. With their technical knowledge, the dance Gurus guide their students in the method of making jati, the way of saying jati, and establishing the relationship of jati with the organization (Adavu) of the dances. Along with the grammatical learning and teaching of jatis, we come to know many new ideas in the technique of introducing sophisticated concepts to the students in the dance education system by Dance Guru. The Navarasa (Nine expressions) for dance and the modules suitable for music form the bridge between the musical character and the musical dance as a bridge between the nature of the shastras. The confluence of Indian music and the techniques of Tamil literature produced in Tamilisai give us many different ideas in the field of research. The basics of jati are given by the Sangam texts, this article shows that the Natya jatis are the bridge between the Natya grammar and the present-day tradition of dance music.