The poet Thiyaru combines the aesthetics of femininity with personality

Abstract

There is no poet who does not admire femininity. Beginning with the Lord, literary poets, jurists, and writers all praised the woman's pride as a woman of great genius. Bharathi, who has changed her name to Padithanda Pattin and is looking at Padithanda, is emerging as a newcomer. She has gone to the pinnacle of leadership, not just leadership. The poet portrays the old as the new, the new as the new, the new as the new, the new as the new, the new as the new. He points out that the creation of civilization in the world is by women. The poet Thiyaru says that love is a sacred bond between a man and a woman that are exchanged through the eyes, mixed with the senses, stimulated by the thoughts and connected by the heart. He has enriched tender love and created the character of love in poetry in a way that amazes everyone. He points out that the bar is pervasive in the eyes of the woman. His poems are a testament to the fact that the eye can have strange effects. He feeds on the dead and speaks of the sanctity of resurrected motherhood. In her death she reveals the distractions of the son who received the love of motherhood. The poet Thearu mixes the expressive aesthetics of femininity with poetry.